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July 27, 2005
Why So Many Folks Like Old LPs
I’m working on a most interesting project, something I’ve never done before at SCM studio, although the technology has certainly been around for a while…I’m converting some old LPs into CDs for a client.
I had to purchase a new program to do this, and I also had to borrow a turntable! I’ve haven’t owned one in years.
It’s been a real treat to hear these old LPs. So far, I’ve listened to big band dance music, Guy Lombardo, Eddie Peabody (the master of the banjo) the Living Strings, and one cut so far from a Jackie Gleason LP (Yes, Jackie “to the moon, Alice” Gleason!) During the late 50’s and early 60’s Gleason put out a series of easy listening albums on the Capitol Label where he conducted an orchestra with a “double string section.” Needless to say, the resulting sound is very lush and romantic.
These LPs from the 50’s and 60’s have a certain sound that you just don’t hear these days. It has to do with the way they were recorded, with the sound of the “room” being a big part of the overall sound. Back when many of these LPs were recorded, the entire band or orchestra was set up in tracking room, with the mics placed in strategic locations. The reverb was provided by the room itself, recording levels were set by moving the mics around, (or having the musicians play louder or softer), and entire LPs were often recorded in two or three days, with everyone (including the lead singer) playing together.
Recording this way gave much of the music a sense of urgency, and an indication of the high level of expertise and musical empathy among the players. There was little chance to conceal errors using multiple overdubbing and “punching in.”
There’s more I’d like to say about this, so check back soon!
Posted by leon at July 27, 2005 10:34 AM